The Philippine String Musicians of Dave Apollon

Dave Apollon a notable musician who to quote Wikipedia, “one of the most innovative and influential mandolinists of the twentieth century.” unfortunately the Philippine string band who accompanied him in vaudville shows and recordings are often treated as an afterthought. For Asian and Pacific Islander American Heritage Month in 2020 I would like to share their story.

This article is dedicated to my lolo (grandfather) Elizer “Ely” Jaen who would play the twelve string guitar for me as a child and is not far from my thoughts when I play music.

From the book “Filipinos in Washington” courtesy of Evangaline Pardes

The musicians in this inscribed in the back of this photo according to the book “Filipinos in Washington” are Loy Silagon, Carlos Quiambao, Peping Hernandez, Harold Aloma, Ben del Rosario, Gregory Davidoff, Ponce Espiritu, Manuel Enriquez, Silvestre Ramido, and Francisco Castro. I cannot confirm his band consisted of the same Filipino men for all of his soundies and recordings, however I can say from the ones I have watched it appeared to be the same lineup with the exception of a few additional musicians for different performances.

In the group of Philippine musicians that played with Dave Apollon was referred to as his “Manila Orchestra” or simply “His Orchestra” according to newspaper articles from the 1920s. Titles that referred to the group are also “Phillppine String Band”, “Royal Philippino Orchestra” and “Filipino Orchestra’. In 1911 Dave sailed to the Phillppines at the start of his music career before later immigrating to the United States by arriving at San Francisco.

From the liner notes of the 1941 Decca Dave Apollon album “The Man with the Mandolin”

The story of how Dave Apollon and the Filipino musicians is told below by David Grisman,

In 1926 he met a group of Phillipine string players who had just lost their job in another show. He immediately hired them to be his “orchestra” and began working up the routines and musical numbers that would be part of his show (with various other singers, dancers, jugglers, and comedians) until the late 1930’s. This group, which numbered from seven to ten players, used bandurias, mandolins, domras, guitars, bass and accordian. They all were talented musicians who knew hundreds of tunes, and together with Dave they evolved a rapport that was both musical and entertaining. “It cost me a lot to bring these boys from Russia. I hope you like them ’cause it’s going to cost me more to send them back!”

Russia to Vaudeville 1897-1940 by David Grisman from Mandolin World News, Vol. II, No. III, and Vol. V, No. III.
Dave Apollon & His Orchestra in the Vitaphone musical comedy “Hot from Petrograd” (1933)

The Philippine string band appeared in several soundies with Dave Apollon. One notable one is the Warner Brother and Vitaphone musical comedy “Hot from Petrograd” in 1933. While the band was accomplished playing stringed instruments in a rondalla setting adopted to jazz I was also impressed to see them in other recordings playing woodwind and brass instruments like the clarinet and trumpet beautifully as well.

“Sweet Sue” from the 1933 soundie “Hot in Petrograd”

I would be remiss to not mention though that something which was uncomfortable to me to viewing the Philippine band in these soundies is how the Filipino accent was used as a comedic device that served to fuel the popular orientalism sentiments at the time.

In addition, they were referred to by Dave in soundies and in newspapers as “boys” which combined with the fact that the Philippines was still a U.S. colony during many of these recordings provides an unpleasant reminder of the how Filipino men were seen during this time in U.S. history. You can hear Dave refer to the band as “boys” at the beginning of the recording of the band playing “Sweet Sue” in the video above as he calls the tune.

It is important to acknowledge that these were Filipino men who were professional musicians and deserve to be recognized as such.

THE NEWS of the Tonawandas, Thursday, April 13, 1944

With the onset of World War II and the decline of vaudeville it appears the number of Philippine musicians performing with Dave Apollon declined as they were drafted into the U.S. military. The last article could find mentioning his Filipino musicians was in 1946 where Dave wrote, “My two Filipinos have been with me for 20 years. They speak fine English, maybe with a bit of Russian accent, like me.”

Unfortunately, I have not been able to find more information about his former Phillppine band members after that time period. Dave Apollon in the 1960s moved to Vegas and had a career as mainly a solo performer until his passing.

If I find more information i’ll be sure to update this article, however if you’d like to see more performances of Dave Apollon and his Philippine band you can check out a few soundies at this youtube link. I’ll leave you with one of my favorite performances of the Philippine musicians who played with Dave Apollon, a performance of “Tiger Rag” in the 1935 musical short “The Wishing Stone”


  1. Vaudeville old & new: an encyclopedia of variety performances in America
    By Frank Cullen, Florence Hackman, Donald McNeilly
  2. Filipinos in Washington, D.C. (Images of America) by Rita M. Cacas and Juanita Tamayo Lott

Lindy Focus XIII – The Bandleaders Behind The Tributes

Lindy Focus this year in a move that it has cemented its place among notable swing dance events had an all star band led by Jonathan Stout.

Jerry Almonte has an excellent write up in his article titled, “Lindy Focus All Star Big Band Scorecard” that has an overview of why these particular nights of music were so special.

During the event the first four nights were tributes to the great big band leaders of the swing era. In addition Lindy Focus had their own blog this year which did a blog post about each band leader which you should check out.

Many swing dancers have listened to songs by these bands, but not everyone has seen what they looked like on film. In result I wanted to post film clips of each of these band leaders and their bands for those who have not had the opportunity to enjoy them yet.

Count Basie

Featuring Jimmy Rushing, here is “Sent For You Yesterday.”

From the 1943 Columbia film, “Reveille with Beverly” is “One O’Clock Jump.”

The Count Basie Orchestra of 1962 playing “Corner Pocket.”

Artie Shaw

From the 1938 short, “Artie Shaw and His Orchestra” is “Begin the Beguine.”:

From the 1939 film “Dancing Co-Ed” is the song “Traffic Jam.”

A clip infamous among most Collegiate Shag dancers, from the 1939 short, “Symphony of Swing” is “Lady Be Good.”

Duke Ellington

Also from the film, “Reveille with Beverly” from 1943 is “Take The A Train.”

In the 1942 Soundie “Jam Session” features Ellington and his band playing “C Jam Blues.”

A 1943 performance of a song that helped define the Swing Era, “It Don’t Mean A Thing.”

Benny Goodman

From the 1937 film titled “Hollywood Hotel” one of Benny Goodman’s classics, “Sing Sing Sing.”

From the 1943 film “Powers Girl” featuring swing dancers Dean Collins and Jewel McGowen is the song “Roll Em.”

From the 1943 film “Stage Door Canteen” featuring Helen Ward on vocals is “Why Don’t You Do Right.”